Publications
Selected Books
Monographs/Single Artist
2015
Utter, Douglas Max. Julian Stanczak: Color and Form, Bonfoey Gallery
2014
Westfall, Stephen. Julian Stanczak: Lineal Pathways, David Richard Contemporary
Costello, Eileen. Julian Stanczak: From Life, (Essay titled “Where Art Lies”) Mitchell-Innes & Nash
Smolińska, Marta. Julian Stańczak: Op art i dynamika percepcji (Op Art and the Dynamics of Perception), Muza, Poland
2011
Stanczak, Julian. Julian Stanczak: Elusive Transparencies, David Richard Contemporary
2010
Stanczak, Julian. Julian Stanczak: Color ∙ Grid, Danese Gallery
2008
Hickey, Dave. Julian Stanczak, Danese Gallery
Houston, Joe, Ursula Korneitchouk and Frances Taft. Parallel Paths, Singular Quest: Barbara and Julian Stanczak, Cleveland Artists Foundation
2005
Morgan, Robert C. Julian Stanczak, Construction and Color: Four Decades of Painting, Stefan Stux Gallery
2004
Fyfe, Joe, Agnes Gund and Dave Hickey. Julian Stanczak: Master of Op Art, Stefan Stux Gallery
2003
Wilson-Powell, MaLin. Julian Stanczak: Op Art Painting, McNay Museum of Art
1999
Nill, Annegreth T. Julian Stanczak, Columbus Museum of Art
1998
McClelland, Elizabeth. Julian Stanczak, Retrospective: 1948-1998, Butler Institute of American Art
1993
Rand, Harry (poetry) and Julian Stanczak (images). Color/Color. Barbara Stanczak, editor
Shinners, Jacqueline and Rudolf Arnheim, Julian Stanczak: Color = Form, Dennos Museum Center, Northwestern Michigan College
1990
Arnheim, Rudolf, Harry Rand, and Robert Bertholf. Julian Stanczak: Decades of Light, Poetry and Rare Book Collection, The University of Buffalo, N.Y.
1972
Baro, Gene. Serigraphs and Drawings of Julian Stanczak 1970-1972, Corcoran Gallery of Art
Major Interview Transcripts
2012
Karabenick, Julie. An Interview with Artist Julian Stanczak(1928-2017), http://geoform.net/interviews/an-interview-with-artist-julian-stanczak/
2007
Sherwin, Brian. Art Space Talk: Julian Stanczak, http://myartspace-blog.blogspot.com/2007/07/art-space-talk-julian-stanczak.html
2000
Rector, Neil K. Communicating in a Different Way: The Julian Stanczak Interviews, June 22-24, 2000
1974
Barrie, Dennis. Oral History Interview with Julian Stanczak, September 17, 1974, Archives of American Art, Smithsonian Institution
Other Books/Publications
2016
Diane Rosenstein Gallery. Julian Stanczak: March 19 - April 30, 2016, Diane Rosenstein Gallery, Los Angeles, California
2015
Frank, Peter and David Eichholtz. Post Op: ‘The Responsive Eye’ Fifty Years After, David Richard Gallery, Santa Fe, New Mexico
Morgan, Robert. Geometric Obsession: American School 1965-2015, Museum of Contemporary Art Buenos Aires, Buenos Aires, Argentina
Balken, Debra Bricker and Joe Houston. Edna Andrade, University of Pennsylvania Press
McNay Art Museum: 15 Years in Review: 1998-2012
2014
Ormiston, Rosalind. 50 Art Movements You Should Know: From Impressionism to Performance Art, Prestel
2013
Lind, Maria, ed. Abstraction (Whitechapel: Documents of Contemporary Art), MIT Press, Cambridge, Massachusetts
Timpano, Dr. Nathan. Pan American Modernism: Avant-Garde Art in Latin American and the United States, Lowe Art Museum, Miami, Florida
2012
Lenz, Emily, New Materials, New Approaches, D. Wigmore Fine Art, New York, New York
Gioni, Massimiliano, Gary Carrion-Murayari and Megan Heuer, Ghosts in the Machine, Skira Rizzoli, New Museum, New York, New York
Houston, Joe, ed. Intercambio global, abstracción geométrica desde 1950 (A Global Exchange: Geometric Abstraction Since 1950). Museo de Arte Contemporáneo de Buenos Aires, Buenos Aires, Argentina
Maciuszko, Jerzy J. Poles Apart: The Tragic Fate of Poles During World War II.
2011
Lenz, Emily,Structured Color, D. Wigmore Fine Art, New York, New York
2010
Houston, Joe, Op Out of Ohio: The Anomima Group, Richard Anuszkiewicz, and Julian Stanczak in the 1960s, D. Wigmore Fine Art, New York, New York
Rubin, David S., Robert C. Morgan and Daniel Pinchbeck, Psychedelic: Optical and Visionary Art since the 1960s, MIT Press
Barrett, Terry, Making Art: Form and Meaning, McGraw-Hill, New York
McNay Art Museum—An Introduction, Scala Publishers
Culler, Rene, Glass Art from the Kiln, Schiffer Publishing Ltd., Pennsylvania
Madden, David and Nicholas Spike, Anuszkiewicz: Paintings & Sculptures 1945-2001, Centro Di, Florence, Italy
2009
Kennedy, Brian and Emily Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
2008
Schwartz, Constance and Franklin Hill Perrell, Pop & Op, Nassau County Museum of Art, Roslyn Harbor, New York
Houston, Joe, Four Optic Visionaries, D. Wigmore Fine Art, Inc., New York, New York
2007
Houston, Joe, and Dave Hickey, Optic Nerve: Perceptual Art of the 1960s, Merrell Publishing, London
Morgan, Robert C., The Optical Edge, Pratt Institute Manhattan Gallery, New York, New York
Oklahoma City Museum of Art: Selected Paintings and Sculpture from the Collection
Shining Spirit: Westheimer Family Collection, Oklahoma City Museum of Art
2006
Wu, Daw-An, How Perception Adheres Color to Objects and Surfaces: Studies Using Visual Illusions and Transcranial Magnetic Stimulation, PhD Thesis, California Institute of Technology, Pasadena, California
Rosenthal, T.G., Josef Albers, Formulation:Articulation, Thames &s; Hudson Ltd., London
Horowitz, Frederick A. and Brenda Danilowitz, Josef Albers: To Open Eyes, Phaidon, London
The Legacy Continues, 1997-2006, Art Museum of South Texas (Texas A&M University, Corpus Christie), Corpus Christie, Texas
Wigmore, Deedee, Geometric Abstraction: Two Generations, D.Wigmore Fine Art, New York, New York
2005
Dunbier, Lonnie Pierson (ed.). The Artists Bluebook
Grachos, Louis and Claire Schneider, Extreme Abstraction, Albright-Knox Art Gallery, New York
2004
McGowan, Alison C. (ed.). Who’s Who in American Art 2003-04 (25th Edition)
Follin, Francis. Embodied Visions: Bridget Riley, Op Art and the Sixties, Thames &s; Hudson Ltd., London
Davenport, Ray. Davenport’s Art Reference (The Gold Edition)
Fehr, Michael and Sanford Wurmfeld (ed.). Seeing Red: On Nonobjective Painting and Color Theory, Salon Verlag, Cologne
Pagel, David. David Klamen: Paintings, Watercolors, and Drawings, University of Wisconsin Press
2003
Dunbier, Lonnie Pierson (ed.). The Artist’s Bluebook
Gould, Claudia, Debra Bricker Balken, and Ingrid Schaffner. Enda Andrade: Optical Paintings, 1963-1986, Institute of Contemporary Art, Univ. of Pennsylvania
Swirnoff, Lois. Dimensional Color, Second Edition, W.W. Norton, New York
2002
Dempsey, Ann. Art in the Modern Era: A Guide to Styles, Schools & Movements, Thames & Hudson, Ltd., London, Harry N. Abrams, Inc., New York
2001
Brown, Ann Caywood and Elizabeth McClelland. Harmonic Forms on the Edge: Geometric Abstraction in Cleveland, Cleveland Artists Foundation, Beck Center for the Arts
Davenport, Ray. Davenport’s Art Reference
Ascherman, Herbert, Jr. The Artists Project: 100 Portraits of Artists
2000
David, Steven (editor). Color Perception: Philosophical, Psychological, Artistic and Computational Perspectives, Oxford University Press.
1999
Falk, Peter Hastings. Who Was Who in American Art, 1564-1975 (3 volumes)
1996
Rector, Neil K., Floyd Ratliff, and Sanford Wurmfeld. Color Function Painting: The Art of Josef Albers, Julian Stanczak and Richard Anuszkiewicz, in conjunction with exhibition at Wake Forest University, Winston-Salem, NC
1995
Griffith, Dennison. The Spirit of Cleveland: Visual Arts Recipients of the Cleveland Arts Prize 1961-1995, Cleveland Institute of Art
1993
Who’s Who in American Art, RR Bowker
1992
American Paintings: An Illustrated Catalogue, National Gallery of Art
1990
Hope, Augustine and Margaret Walch. The Color Compendium, Van Nostrand Reinhold
Dantzic, Cynthia Maris. Design Dimensions: An Introduction to the Visual Surface, Prentice Hall College Division
1989
Fresella-Lee, Nancy. The American Paintings in the Pennsylvania Academy of Fine Art
Falk, Peter Hastings. Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts
1988
The American Collections, Columbus Museum of Art
Lodge, Robert. “A History of Synthetic Painting Media with Special Reference to Commercial Materials”, in S. Rosenberg (ed.), Preprints of Papers Presented at Sixteenth Annual Meeting, New Orleans, June 1-5, 1988, American Institute for Conservation, Washington, DC, 1988, pp.118–27.
1987
Cummings, Paul. Dictionary of Contemporary American Artists (5th Edition)
Krane, Susan. Paintings and Sculpture/Acquisitions Since 1972, Albright-Knox Art Gallery
1986
Opitz, Glenn B. (ed.). Mantle Fielding’s Dictionary: American Painters, Sculptors et al.
Who’s Who in American Art, 1986 Jacques Cattell Press
1985
Rand, Harry. The Martha Jackson Memorial Collection, Smithsonian Institute Press
DuPont, Diana and K. Holland. Paintings and Sculpture Collection, San Francisco Museum of Modern Art
1983
Wixom, Nancy Coe. The Cleveland Institute of Art: The First 100 Years, 1882-1982, Cleveland Institute of Art, Cleveland, Ohio
1982
Kranz, Les. The New York Art Review, Macmillan Publishing Co.
1981
Josef Albers: His Art and His Influence, Montclair Art Museum, Montclair New Jersey
1979
Henning, Ed. Visual Logic: David Davis, Ed Mieczkowski, John Pearson, Julian Stanczak, The Cleveland Institute of Art.
1977
Weisberg, Gabriel P. Materials and Techniques of 20th-Century Artists, Cleveland Museum of Art
1976
Baro, Gene. Josef Albers: The Pursuit of Excellence, Yale University Press
Baro, Gene. 30 Years of American Printmaking/u>
In this Academy, Pennsylvania Academy of Fine Arts
1975
Judd, Donald. Complete Writings 1959-1975, The Press of the Nova Scotia College of Art and Design, Halifax; New York University Press
Mason, Lauris and J. Ludman. Print Reference Resources, Bibliography 18-20 Centuries
Lippman, Jean. Provocative Parallels: Naïve Early Americans/International Sophisticates, Dutton
Smithsonian Archives of American Art: Checklist of the Collection, Smithsonian Museum of Art
1974
Richardson, T. and N. Stangos. Concepts of Modern Art, Penguin Books, Harper and Row
Kuh, Katherine. The Art Collection of the First National Bank of Chicago
Contemporary American Painting and Sculpture 1974, University of Illinois
1973
Lancaster, John, Introducing Op Art, B T Batsford Limited, London
1971
Barrett, Cyril, An Introduction to Optical Art, Dutton Press, England
Praeger Encyclopedia of Art, Praeger Publishers, New York, Washington, London
1970
Bates, Kenneth. Basic Design, New World Publishing
Mendelowitz, Daniel M. A History of American Art, New York: Holt, Rinehart & Winston, Inc.
Weinhardt, Carl J. Jr. (ed.) Catalogue of American Paintings, Indianapolis Museum of Art
1969
Kultermann, Udo. Neue Formen des Bildes, Verlag Ernst Wasmuth, Tübengen
1968
Plus by Minus, Today’s Half Century, Albright-Knox Art Gallery
Schinneller, James. Art/Search & Self-Discovery, International Textbook Company
Weller, Allen S. The Joys and Sorrows of Recent American Art
1967
Rickey, George. Constructivism: Origins and Evolution, George Braziller, Inc.
1966
Carraher, Ronald and Jacqueline Thurston. Optical Illusions and the Visual Arts, Reinhold Publishing Co.
Harold, Margaret. Prize-Winning Paintings, Book 6, Allied Publications, Inc.
1965
Jackson, Martha. Vibrations Eleven, Martha Jackson Gallery
Contemporary American Painting and Sculpture, University of Illinois
1 + 1 = 3, An Exhibition of Retinal and Perceptual Art, The University Art Museum of the University of Texas
Pepis, Betty. Interior Decoration a to z, Doubleday & Company Inc.
1965
Seitz, William C. The Responsive Eye, Museum of Modern Art
1964
Harold, Margaret. ze-Winning Paintings, Book IV, Allied Publications, Inc.
Videos
Painter Julian Stanczak: Cleveland Arts Prize, produced by Cleveland Arts Prize, 2011
Julian Stanczak: Great Colorist of the 20th Century, produced by the Cleveland Institute of Art, 2011
WVIZ Interview with Dee Perry, The Sound of Applause
Julian Stanczak: Op Art, The Perceptive Eye, interview with Neil Rector, produced by Barbara Stanczak, 2000